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Presentations

Conference presentations

 

[D. Lee and P. Hider] “Knowledge organisation across aural and visual domains: connecting the facets of music and art”, 17th international ISKO conference. Knowledge Organization across Disciplines, Domains, Services, and Technologies, Aalborg, Denmark and online, 6-8 July 2022.

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[P. Hider and D. Lee] “Fiction genres in library catalogues and social cataloguing sites”, 17th international ISKO conference. Knowledge Organization across Disciplines, Domains, Services, and Technologies, Aalborg, Denmark and online, 6-8 July 2022.

 

“Cataloguing and classification ethics, and their impact on music cataloguing”, IAML annual study weekend, Oxford, United Kingdom, 1-3 April 2022.

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"Form as classification: an exploration of musical form as a knowledge organization system", NASKO 2021: Resilience, Resistance, and Reflection: Knowledge Organization at a Crossroads, Online/University of Washington i-school, 9-11 July 2021.

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[with Lyn Robinson and David Bawden] "Operatic knowledge organisation: an exploration of the domain and bibliographic interface in the classification of opera’s sub-genres", 16th International ISKO Conference. Knowledge organization at the interface, Aalborg, Denmark, 6-8 July 2020. **Cancelled due to COVID-19**

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"Power, truth and creativity: the ethical dimensions of the knowledge organization of art", ISKO UK Conference. The human position in an artificial world: creativity, ethics and AI in knowledge organization, London, 15-16 July 2019.

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Panel member for "In an AI-supported world, where do the opportunities lie for knowledge organization?"  ISKO UK Conference. The human position in an artificial world: creativity, ethics and AI in knowledge organization, London, 15-16 July 2019.

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"Morsels of music, morsels of music knowledge organisation", ISKO Low Countries conference, Brussels, 20-21 June 2019.

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"The classification of musical transformation: a conceptual approach to the knowledge organization of musical arrangements", Conceptions of Library and Information Science [CoLIS] 10, Ljubljana, 16-19 June 2019. 

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"Documenting interactivity and post-digital performance: exploring the application of data models and standards for augmented reality performance", Documenting Performance 3: PostDigital, London, 16 May 2019.

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[with Katie Blackford] "The modern metadata workout: a quick (and messy) introduction to FRBR and LRM, with a dash of RDA", ARLIS Conference, London, 26-27 July 2018.

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[with Lyn Robinson & David Bawden] “Global knowledge organization, “super-facets” and music: universal music classification in the digital age”, 15th International ISKO Conference, Porto, 9-11 July 2018.

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"The not-so-secret lives of cataloguers: modern cataloguing in a contemporary information world", CILIP 2018 Conference, Brighton, 4-5 July 2018.

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“Documenting performance in today’s data models: positioning performance within FRBR and LRM”, Documenting Performance 2: new technologies, London, 6-7 November 2017.

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“Numbers, instruments and hands: the impact of faceted analytical theory on classifying music ensembles”, UDC Seminar, London, 14-15 September 2017.

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“Old schemes, new perspectives: the narrative of classification scheme analysis in the 21st century”, ISKO UK Conference, London, 11-12 September 2017.

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“FRBR, conceptual knowledge and Harry Potter: change and innovation in cataloguing education”, CILIP CIG Conference, Swansea, 31 August –2 September 2016.

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“Conceptions of knowledge about classification schemes: a multiplane approach”, Conceptions of Library and Information Science [CoLIS] 9, Uppsala, Sweden, 27-29 June 2016.

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“FRBR, conceptual knowledge and Harry Potter: radical change and innovative solutions in cataloging education”, ALISE Conference, Boston MA, 5-8 January 2016.

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“RDA as a first language: teaching beginner cataloguers in RDA”, CILIP CIG Conference, Canterbury, 8–10 September 2014.

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“Webs of ‘Wirkung’: modelling the interconnectedness of classification schemes”, Knowledge organization in the 21st century: between historical patterns and future prospects, 13th International ISKO Conference, Kraków, 19–22 May 2014.

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“Instrumental families, horns and the odd sewing machine: the classification of musical instruments from bibliographic and organological perspectives”, IAML International Conference, Vienna, 28 July–2 August 2013.

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“Transfiguring the ‘humble’ classification scheme: radical techniques for 21st-century knowledge organisation research”, i-Futures 2013, i-School postgraduate research conference, Sheffield, 25 July 2013.

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“Voices, instruments and somewhere in-between: using musical medium to cross the knowledge organization/music boundary”, ISKO UK Conference, London, 8–9 July 2013.

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“In the name of collaboration: introducing the UK NACO funnel”, CILIP CIG Conference, Sheffield, 10–11 September 2012.

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“Faceted music: towards a model of music classification”. ISKO UK Conference, London, 4–5 July, 2011.

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“Classifying musical performance: the application of faceted classification principles to concert programmes’. CILIP CIG Conference, Glasgow, 3–5 September 2008.

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“Arranging an archive, arranging a library: the confluence of classification theories and the concert programme” IAML International Conference, Naples, 20–25 July 2008.

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“Organizing concert life: concert programme arrangement and the historiography of musical performance”, Music in 19th-century Britain, Birmingham, 5–8 July 2007.

Invited talks, seminars and workshops

 

[Lee, D, N. Gold & J. Gilbert] “What constitutes music? An interdisciplinary conversational workshop exploring ontological questions in music at UCL”, London, United Kingdom, 21 June 2022. Creator and co-organiser of interdisciplinary workshop as part of UCL’s “Music futures” project, and awarded funding by UCL.

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"Cataloguing and description ethics", LIASA [Library and Information Association of South Africa] IGBIS Webinar on Cataloguing Ethics and inclusivity, 9 June 2022.

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“Cataloguing and classification ethics”, ARLIS webinar, 10 December 2021.

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“Gaining cataloguing skills”, ARLIS: taking the plunge [a workshop about careers in art librarianship], 19 November 2021.

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[Invited talk about doing a PhD in LIS and art librarianship], ARLIS UK conference, Online, 23 July 2021.


"Connecting LIS research and practice: adventures in cataloguing and art library practitioner research", Being a LIS Researcher Practitioner, CILIP LIRG Workshop, Online, 10 December 2020. 

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Invited participant to the Domain Analysis Clinic, "Phenomena of Music", Institute for Knowledge Organization and Structure Domain Analysis Clinics, Lake Oswego, Oregon, 8-9 November 2019.

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"What are the purposes of knowledge organization research?", ISKO UK meetup, London, 25 June 2019.

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"The classification of music", 2018 Jack Mills Annual Lecture, Bliss Classification Association, Cambridge, 11 December 2018.

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“Thinking about classification”, CILIP CIG Workshop, London, 28 June 2017.

  • Designed and co-lead workshop with Anastasia Kerameos, include design of practical activitis

  • Delivered presentations including “What is classification?”, “Introducing the classification scheme”, “Reclassification” and “Ethical issues in classification”.

 

“Cataloguing roles”, ARLIS Taking the Plunge Workshop, London, 20 May 2016.

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“Issues and decisions in art cataloguing” [with Janet Ashton], ARLIS RDA Implementation Workshop, London, 23 April 2015.

 

“RDA for exhibition documentation” [co-leading practical one-day workshop with Janet Ashton], ARLIS Workshop, London, 20 August 2014.

 

“Implementing RDA at the Courtauld Institute of Art: the experiences of a small, specialised academic library”, CILIP RDA Executive Briefing, London, 12 June 2014.

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“Thinking about classification”, Dewey for art documentation, ARLIS Workshop, London, 17 December 2013.

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“The Dewey petting zoo” [practical classification activities, with Kate Kluttz, Nicky Ransom, Mary Burslem], Dewey for art documentation, ARLIS Workshop, London, 17 December 2013.

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“Zonkey cataloguing: implementing RDA at the Courtauld”, ARLIS RDA implementation workshop, London, 12 April 2013.

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“Outline of [RDA] issues/policy decisions to be made, especially for art libraries” [with Janet Ashton], ARLIS RDA Implementation Workshop, London, 12 April 2013.

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“Art classification and its future” [devised and chaired a panel discussion], ARLIS Conference: breakout sessions, London, 28 June 2012.

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“Game on: cataloguing and classification in the 21st century” [co-led a workshop with Jennie Perry], CILIP New Professionals Day, London, 11 May 2012.

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“Cataloguing exhibition catalogues” [co-led a presentation and cataloguing workshops with Nicky Ransom], ARLIS Cataloguing Art Materials Workshop, London, 15 December, 2011.

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“Guerrilla reclassification: battling classification issues using a small-scale and targeted approach”, CILIP CIG Reclassification Event, London, 20 September 2011.

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“Introducing the quick quiz: assessing factual recall in staff training” [Nano-presentation], 1st London Librarian Teachmeet, London, 20 June 2011.

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[Paper on concert programme arrangement, given as part of the seminar “Concert Programmes Project”] Music and Ideas [Royal College of Music Seminar Series], London, 31 May 2007.

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“Concert Programmes Project” [co-presentation with Dr Rupert Ridgewell] Association of British Orchestras Archivists’ Study Day, London, 24 April 2007.

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“Concert Programmes Project: an extended report” [co-presentation with Dr Rupert Ridgewell, given as part of the session “Project reports”] IAML Annual Study Weekend, Cirencester, 13-16 April 2007.

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“Concert Programmes Project” [co-presentation with Dr Rupert Ridgewell] Association of British Orchestras Archivists’ Study Day, London, 9 November 2005.

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